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TWICE's Chaeyoung Leaves JYP for Solo Venture

· wellness

TWICE’s Chaeyoung Takes Flight: What This Means for K-Pop’s Culture of Perseverance

The recent departures from JYP Entertainment by two members of the hit K-pop group TWICE have sent shockwaves through the industry. While some may view these moves as a departure, they are actually charting a new course. Chaeyoung, the main rapper and sub-vocalist of TWICE, has announced her exit from JYP to focus on her own creative venture, LIL FANTASY.

Chaeyoung’s decision to leave JYP after 14 years as a trainee and member is significant due to her importance within TWICE. As one of the group’s earliest recruits, Chaeyoung was an integral part of their sound and style since their debut in 2015. Her artistic autonomy was evident from an early stage, with credits for songwriting and album design that showcased her creative range beyond just rapping.

Chaeyoung’s health issues have been a recurring concern over the past few years. The stress of being part of one of K-pop’s most successful groups has taken its toll, with JYP announcing in 2025 that she would prioritize rest due to vasovagal syncope and lower back discomfort. This decision to focus on her own venture may be a deliberate choice to avoid burnout and maintain creative control.

Chaeyoung’s LIL FANTASY project is already an established entity within the K-pop scene, with her solo album released in 2025 showcasing a more experimental sound than TWICE’s signature pop. This move towards independence suggests that she intends to take ownership of her artistic direction, rather than conforming to JYP’s management structure.

The impact on TWICE itself remains to be seen, but it is clear that the group will continue with their existing lineup. Leader Jihyo and member Tzuyu have been rumored to be exploring departures as well, which raises questions about the sustainability of K-pop groups in an industry where contract renewals are often a minefield.

Chaeyoung’s decision to prioritize her own well-being and creative vision is essential for long-term success. By opting out of the high-pressure environment, she is sending a message that artists should not sacrifice their health and happiness for the sake of their careers. This trend of independence and self-empowerment may reshape the industry’s dynamics, offering an exciting opportunity for innovation and growth – both creatively and professionally.

Chaeyoung’s exit from JYP has sparked a new chapter not just for her, but for the entire K-pop landscape. As K-pop continues to evolve and expand its global reach, we can expect more artists to follow in Chaeyoung’s footsteps, choosing to take control of their careers rather than adhering to traditional management structures. The road ahead will be paved with uncertainty, but one thing is certain – Chaeyoung’s LIL FANTASY project has already set sail on uncharted waters, leaving us all wondering what lies ahead.

Reader Views

  • AN
    Alex N. · habit coach

    It's refreshing to see Chaeyoung prioritizing her well-being and creative autonomy over group pressures. The article touches on her health issues, but it's worth noting that this move might be a turning point for K-pop's treatment of mental health. By stepping away from the intense expectations of being in TWICE, Chaeyoung can focus on developing LIL FANTASY as a true representation of herself, rather than conforming to JYP's vision. It will be interesting to see how other idols follow her lead and demand better working conditions for themselves and their mental health.

  • DM
    Dr. Maya O. · behavioral researcher

    Chaeyoung's departure from JYP highlights the need for K-pop idols to prioritize self-care and autonomy in their careers. While her decision to leave TWICE may signal a more individualized approach to music-making, it also raises questions about the long-term implications of constant industry pressure on mental health. As the entertainment industry grapples with burnout and its impact on artists' well-being, Chaeyoung's choice could serve as a catalyst for change – but we must remain vigilant in ensuring that her solo venture doesn't perpetuate the same systemic issues that drove her away from JYP in the first place.

  • TC
    The Calm Desk · editorial

    While Chaeyoung's departure from JYP is undoubtedly significant, it's worth examining the contractual implications of her decision. Given that TWICE members are tied to 10-year contracts with the agency, how will Chaeyoung's solo venture be structured to maintain creative control and ownership? Will she remain affiliated with JYP in some capacity, or will this move trigger a costly buyout? The article hints at artistic autonomy but glosses over these critical financial aspects that will shape the future of her career.

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